Slickrock and Shadow

Reflections in Death Hollow  Today I'll use a recent photoshoot in Death Hollow to discuss photographing reflections in landscape photography.  Reflections are a great aspect to landscape photography that come into play whenever water is nearby.  These reflections have to be accounted for when that body of water is especially still, such as an undisturbed lake or pond.  First things first . . . Q:  Do you want a reflection? A:  No.  Use the polarizer and you will see less reflection and see more what is under the water surface.   A:  Yes.  In this case, do not use a polarizing filter because it specially cuts down on reflection.  If the reflected image is especially interest or adds a desired symmetrical element, I want to include that.  Keep reading for other tips. Next you need to compose your photo to include the right amount of reflection.  Getting lower to the water surface can actually make your reflected surfac...

Black Pool at Coyote Gulch, Utah:  a quiet campsite for single tent Here's my take on tent photography.  On a quiet morning after sleeping our first night at the Black Pool in Coyote Gulch, I got up while my two daughters continued sleeping.  The wind from the previous night was gone.  Nothing stirred.  The tree leaves, the tall grasses and the flat water surface each stood entirely still.  I was able to set up tripod and camera, shutter release and carefully focus.  A long shutter speed later, I had this photo. I carefully rotated my polarizing filter to remove reflections off the wet seeping rock walls, thus keeping the all wonderful colors.  But I also wanted to keep all those reflections on the water.  This ended up being an easy task, but one I did consciously. I have seen plenty of tent photography:  tents in lonely, beautiful places.  I think this shot is a worthy addition to this genre.  

Full Moon Setting as seen from Phantom Ranch Beautiful moment of the full moon setting between peaks and reflecting off the surface of the Colorado River.  This moment happened half-way through the trip.  I'd photographed continually but I was not expecting to do any night photography.  But when something this beautiful happens, the photographer deep within jumps within me and I must answer.  Picture this:  early morning, quiet, slightly cool with the river sounds bouncing off the canyon walls.  I wake up to this but it's still dark, except it's not that dark because we have a full moon.  I see it.  I put on my glasses and I see it  better.  The moon is setting, it's beautiful and it'll be over in a flash.  I spring to action:  open pelican box, grab camera, grab remote cable release, grab tripod and begin running to the edge of the river to capture the reflected water.  The moon moves quickly and I got this one...

Glencoe, Scotland at dawn My first morning and my first shot in Scotland is posted here.  I woke up early, so early at about 3:30 am so that I could actually see the sun rise at about 4 AM.  June in Scotland's highlands means really long days and short nights.  Catching sunrise feels like severe sleep deprivation here! Driving along the road through Glencoe Valley I searched for a good location.  This massive mountain and its' quaint cottage made me stop and shoot.  I wandered along the stream looking for the right height and location to capture this mountain reflection in the calm stream.  The cottage stands far enough away that it cannot be reflected.   Everything felt cool and quiet.  That's what I think of when I see this photo.  

Orange Tree Reflection Another photo from my visit to Zion last month.   This is also from Echo slot canyon, adjacent to the East Rim Trail.  The curves along the left canyon wall first caught my attention.  I hiked a little closer and saw I could line up the curves like a series of waves in my composition.  Then I noticed the orange tree in the distance and I knew I could make a winner if I just spent the time. I wanted this orange-leaf tree in the slot canyon to be the major photo subject.  I also wanted to line up the tree and its' reflection in the waters of the slot.  Sometimes an inch or two difference in the position of the camera (especially the vertical position) can make all the difference.  I took some with my standard wide angle lens, but the tree was so distant that it had no impact.  I switched to my standard zoom lens (24-105 f/4.0 L) and also my telephoto zoom (70-200 f/4.0 L) and tried different compositions.  This pho...

Snow Canyon Tree, Reflection and Cliffs One of the most helpful pieces of advice to give the photographer is to limit how many subjects are in a photograph to a maximum of 3.  A photograph tells a story.  In order for the story to be clearly understood, there must be a straightforward message.  Anything that is a distraction from that message, weakens the impact. In this photograph the story is simple.  small oasis in the desert.  The subjects in this photograph are the tree, its' reflection in the water, the background cliffs.  This composition was achieved by using a telephoto lens, zooming in on this subject and eliminating some distracting bushes on the left.  A photographer should not simply record an image.  He or she should draw attention to the subject in order to communicate emotion or tell a story.  My story about this tree is one of small beauty in the desert, living among the rocks, without neighbors.  It is a delightf...