Slickrock and Shadow

Cavern Cascade in Watkins Glen State Park I wanted to photograph Cavern Cascade from behind from the moment I walked underneath the falls.  This is such an exciting experience to have, I hoped to capture the feeling of being there.  My camera lens is simply not wide enough to capture the path coming down on the left, passing behind the waterfall and then continuing on to the right and then down into the light of the canyon.  I took the photograph by standing behind the waterfall and, using a tripod, took many photos in nearly every direction. Immediately I thought of stitching multiple photos together.  Adobe Lightroom make this a much easier process.  I shot more than 20 frame in a portrait orientation at different exposures to allow for the darkest shadows and the brightest rays of morning light.  Then I walked away with hope of salvation in the digital darkroom.  Back home, Lightroom (LR) could not stitch it together.  Some images a...

Yellow Rock within Grand Staircase Escalante National Monument is one of many fabulous natural beauties! Yellow Rock, Utah remains one of the most unique and beautiful locations I've ever visited.  I've traveled in pursuit of great photo locations for 12 years now and Yellow Rock remains one of the most photogenic in memory.  I visited this remote location once, in 2008 (before blogging, so I thought it deserved a blog post now).  After 9 years, this photo remains one of my favorite.  I'd ascended the monolith, huffing and puffing, until I reached the top.  I searched around, looking for good photo subjects.  I discovered this wavy line of white and deep purple etched on the yellow sandstone.  Just about this time, sunset happened and the last sun rays shone on the distant cliffs and clouds. Processing note:  This photo was before HDR and multiple exposure blending.  I shot with a Lee graduated neutral density filter to balance out the...

Wild Montana Increasingly seen these days, multiple-exposure photographs show off greater dynamic range of light and dark in a single scene.  The "old school" method was to use gradient neutral density filters.  I have those and they work well if the horizon is perfectly level. The "new school" method is to take multiple exposures and then blend them together manually in photoshop. There is also another method, which I'd call the "school dropout" method which uses an HDR program to create an automatic blend of these photos which the computer finds beautiful.  I own the most up-to-date HDR program and it does not create natural-looking shots. So, for this shot, I used the "new school" photoshop blending, relying heavily on the lightest shot to give this work a gorgeous luminance.