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Showing posts with the label White

Lower South Desert Overlook: Jailhouse Rock photographs

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Jailhouse Rock stands hundreds of feet high on a stormy day. Lower South Desert Overlook in Capitol Reef is a gorgeous remote treasure.  As part of the Cathedral Valley loop drive, this should be on everybody's to-do list.   Park your car and walk 1/2 mile to the amazing views of Jailhouse Rock and the vast empty South Desert.   White rocks of all shapes and sizes surprised me here.  I thoroughly enjoyed walking around these white goblins and hoodoos looking for a photogenic angle.  I highly recommend this locale as a place to get in touch with the vastness of natural desert landscape.  Enjoy! Goblins of South Desert Overlook Jailhouse Rock and White Badlands Temple Rock:  300mm lens captures this distant pinnacle

Cottonwood Cove: the Far Side of Coyote Buttes South

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Color Streaks Through Stone Coyote Buttes South is an immense landscape with no trails.  There are few landmarks and only limited information.  I used Photographing the Southwest:  Arizona  to pick a sunrise location.  Beyond that I found information scarce.  Some online guide information and plenty of time looking at satellite images helped me decide where I wanted to go.  The problem is that something like this on satellite: Coyote Buttes South satellite Images with some GPS locations I programmed  before  my trip. Ends up looking like this in reality: Coyote Buttes images from the ground:  terrain looks much rougher in reality! As usual, I wanted to explore further afield in this awesome locale, searching for something novel and exciting.  I like that feeling of discovery so I left the tall teepees of Coyote Buttes South and crossed that sandy 1 mile to reach the far side of Cottonwood Cove.  Here I d...

Beachy Head Photography Guide: White Cliffs and Surroundings

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Beachy Head Lighthouse, as seen from the cliffs high above Beachy head is extremely photogenic.  Some pictures of those massive white cliffs are instantly recognizable as England.  They are featured in several movies.  Though the "white cliffs of Dover" are what we learn in school, Beachy Head is what we see in the pictures.  Dover is a bit further east but not as spectacular. What is there to photograph here? 1.  The White Cliffs of Beachy Head can be shot in isolation or with some of the sea birds to give sense of scale. 2.  Coast Guard Cottages -- these are further west and require a circuitous drive but the view with the white cliffs in the background is unparalleled! Coast Guard Cottages and the White Cliffs at Beachy Head, United Kingdom 3.  Birling Gap -- This looks west towards those Coast Guard Cottages and shows the "Seven Sisters". View towards Birling Gap (lighthouse in distance) with Seven Sisters -- the chalk cliff peaks...

Glencoe Reflection

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Glencoe, Scotland at dawn My first morning and my first shot in Scotland is posted here.  I woke up early, so early at about 3:30 am so that I could actually see the sun rise at about 4 AM.  June in Scotland's highlands means really long days and short nights.  Catching sunrise feels like severe sleep deprivation here! Driving along the road through Glencoe Valley I searched for a good location.  This massive mountain and its' quaint cottage made me stop and shoot.  I wandered along the stream looking for the right height and location to capture this mountain reflection in the calm stream.  The cottage stands far enough away that it cannot be reflected.   Everything felt cool and quiet.  That's what I think of when I see this photo.  

Snow Canyon State Park: Sunrise

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Snow Canyon State Park:  Sunrise Snow Canyon State Park in southern Utah is close enough for me to visit at sunrise without really disrupting my weekly routine.  Landscape photography could not be much easier than that.  I found a new location and this wonderful part that is an excellent sunrise spot.  Light is wonderful here.  There are so many different colors in the sandstone.  In my chosen picture above, the sandstone right in front of the camera has a light pink color in it.  The cliffs in the mid-ground have rich golden tan color.  The distant cliffs are red rock, very characteristic of this area.  Being able to capture all these different hues of rock with the morning light barely touching each one of them is unique.  That's what makes this spot very special.  Please enjoy.

Loblolly Bay, Anegada, BVI

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Loblolly Bay has a place for you Anegada is the favorite of all the British Virgin Islands for many people.  Here you get away from any hustle and bustle of life even more than in the lower BVI.  Being extremely flat and surrounded by a protective coral reef, Anegada has marvelous beaches.  Cow Wreck is my favorite for being alone.  Loblolly Bay can be all yours if you arrive before noon.  That's what I did and found an empty swath of white sand and turquoise waters.  Loblolly is also known for excellent snorkeling.  For this photograph, I hoped to capture a piece of paradise.  I also wished to make it inviting, like it was just waiting for you to come.  I moved the bench slightly, so as to be in the shade of the umbrella and composed the shot with a sweeping bay and beach in the background.  I was careful to get low enough to separate the umbrella from the horizon, putting it up with the clouds. 

Paria Mud Cracks

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Paria Mud Cracks:  when the mud is moist, these are extremely slippery! It had rained the previous week.  The mud was still moist and very slippery.  This is what I hoped for:  dramatic puzzle-piece mud cracks leading through the canyon floor. In composing this photograph, I wanted the cracks to take center stage.  I wanted them to lead to another interesting photography subject as well.  I found a very shallow pool and a rock standing in front of a dark wall.  I tried several compositions with a 16-35 mm lens but I was not satisfied.  I switched to a 17 mm tilt shift lens and took several pictures, shifting the lens up and down in order to have a very good view of the mud cracks at my feet.  These were stitched together in Photoshop.  Black-and-white processing seemed appropriate for this dramatic subject.

Columns of Buren

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Columns of Buren at Palais Royale, Paris Paris has its' share of world-class icons.  We all know what they are.  A photographer's journey to such a well-known location certainly should include them.  But what else? Fortunately, the famous icons really just scratch the surface of this wonderful city.  The more one looks, the more one finds. One such find is the Columns of Buren.  Buren was an artist who liked graphic lines.  He sometimes put his art in public places without permission.  The Palais Royale gave him permission for this permanent art project many years ago.  He created black and white columns of different heights which completely fill a square within the Palais Royale.  This public art is there to walk around, climb on, jump off or photograph.  Although just one block from the Louvre, the fun public square is mostly undiscovered. In the early evening, I visited here with my family.  The kids had lots of fun ru...

Paris in Black and White

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Chairs and Fountain from Palais Royale, Paris Black and white photo processing is still used today and will always be used because there are certain advantages to removing color.  Removing the color from a photograph eliminates color distraction.  For example, in portrait photography the person is the main subject, not their clothing.  Often someone's clothing is a distraction from the person themselves.  It may be bright or have a pattern.  Black and white processing eliminates or minimizes that. When I process a photo, I'm ask myself whether color adds to the photograph or distracts from my message.  Every photograph tells a story.  The story should not have too many loose ends.  It should get to the point without confusion. Tuileries Garden Statue, Paris In these 2 pictures from Paris, I feel that black and white processing helps focus on the actual shape, structure and form of the subject.  In the first picture, it i...

Nothing Straight at White Pocket

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The Curve at White Pocket, Arizona Having spent a good amount of time and White Pocket, I still have a few interesting things to share and post.  This photo is from the Gateway section of White Pocket.  I call it "the curve".  The white-topped tower is approximately 70 feet tall.  Because of surrounding structures, this does not give direct light at sunrise or sunset.  However the midmorning is an excellent time to photograph this location.  The sunlight illuminates the red, orange, tan colors beautifully. I also discovered that laying on the sand dune behind the white-topped tower is an excellent place for shelter during a storm.