Slickrock and Shadow

Candy Rocks of Coyote Buttes South Real yet unbelievable is what I experienced while exploring Coyote Buttes South.  The lines and colors swirl in ways I could never imagine to be natural.  Yet this was truly the handiwork of Mother Nature, that creative maven I've come to admire.  This photo was taken at the same sunrise location as my previous post and this high outlook truly is the place for sunrise  in all this land.  I backed away from these rocks a bit, went with a wide 17mm tilt shift lens and shot several frames.  This lens allows me to stitch the frames together later and create a larger, wider vast landscape.  Just as I was doing this the sky brightened and changed from purple to blue, making this a most-colorful photo.  Enjoy the pastels of this incredible landscape!

St. Giles Kirk Ceiling St. Giles Cathedral in Edinburgh Scotland is a national landmark.  It's also very photogenic.  And most important for a photographer, they allow photography with tripods for a small fee.  Having a tripod makes the difference in a dark cathedral.  It allows long exposures, letting the light pour onto the sensor.  Cathedrals do not really move so these long exposures work wonderfully here. I took advantage of my 17 millimeters tilt shift lens and pointed it heavenward.  As I shifted from side to side, I was able to take in a huge amount of architectural information.  I tried very carefully to obtain a symmetric image.  I stitched these pictures Lightroom postprocessing.  With my lower ISO settings I was able to bring a lot of the detail out of the shadows including the rich color in the stonework.  Please enjoy.

Devil's Kitchen Sunrise at 105mm There is no quicker way to change a picture then to change the focal length.  If you have a zoom lens, simply twisting it back and forth can remarkably bring distant objects closer.  Twisting the opposite direction, a very wide angle can be obtained in which the whole universe seems to come into the lens. I thought it might be interesting and educational to show 3 different views of the Devils Kitchen, but a remote section of Canyonlands Needles District.  I traveled in there by car without any weight restrictions.  I brought my 300 mm lens and several other heavy photographic tools.  The first shot was taken at a focal length of 105 mm.  This is actually zoomed in quite a bit.  It helps bring the flowers and the spire is a little bit closer together in the photograph.  Nevertheless, the flowers are very small. Devil's Kitchen and Wildflowers at 50mm There is no quicker way to change a picture then to ch...

Headshot portraits are out of this world with the Canon 85mm f/1.2 L lens Portrait photography is an opportunity that every serious photographer will face at one point or another.  Friends and family know how serious I am about photography and ask about getting their photos taken.  This is always a wonderful opportunity and I look at it as a very enjoyable service.  I also hope to do the best possible and provide a professional portrait as good as anything they could obtain anywhere. The gear and style of shooting is very different from landscape photography.  Instead of methodically setting up a heavy tripod in the silence of the wilderness, I find myself talking and shooting quickly so that the subject does not become overly tired from posing.  Instead of wide-angle lenses with very small apertures and long shudder speeds, long telephoto lenses with wide apertures and very short shudder speeds are used.  There is no time for a tripod. Late in 201...

 Gordon Smith enjoying dinner in Paris  Unlike a road trip from one state to another state in America, a trip to Europe requires more selective packing. When I traveled there for 3 weeks with my family, we decided that we would be traveling very light. Everything that we took to Europe and everything that we brought home had to fit in our carry-on backpack. Besides the usual requirements of shirts, shoes, pants, socks and shaving equipment, I was most interested in knowing what camera equipment I could bring. What would fit and how heavy would it be to carry? My camera is a Canon 1Ds Mark 3. An all-purpose lens such as the 24-105 f/4 L IS is a no-brainer. If I could only take one lens, this would be it. I took the majority of my photos using this lens. The architectural wonders of Europe also made me want a wider lens with perspective correction. The 17mm tilt-shift lens fit the bill. This lens is very big and heavy but nothing else can do what it can. It made the cut. The 7...

Portrait As I landscape photographer, I get plenty of practice shooting trees, rocks, streams and clouds.  Things that move in circles and against gravity are foreign to me.  That's what kids do. I had the pleasure of taking some family portraits last week for some family members.  When I get the call to take someone's photo, I always reach for one lens:  Canon 135mm f/2.0 L.  This lens is so fast, so sharp and so accurate in getting the picture that I want.  Some people say the "keeper" rate is very high with this lens and I heartily agree. In one of the moments where she stopped briefly, I was able to focus, compose and shoot. In keeping my lenses straight from one another, they get nicknames.  This one is the "movie star lens" because it makes everyone look fantastic!

Lines of composition at White Pocket This will be a more technical entry featuring the sandstone wonderland of White Pocket.  I'm still sorting through and picking out the "keepers" from my photo trip there last month. Sharpness and vignetting are two key photographic characteristic related to aperture.  When setting an aperture, a very small opening such as f/16 tends to reduce vignetting and enhance the depth of field (how much will be sharp and "in focus" whether near or far from the camera).  This attitude of "I'm going to get the maximum depth of field" attitude works well for some and I've used it for years.  This is especially helpful in the corners of a photograph (where sharpness tends to deteriorate).  This problem is pretty exclusive to wide angle lenses. I changed wide angle lens from Canon's 17-40 f/4 L to the more pricey 16-35 f/2.8 L specifically to get more corner sharpness.  The 16-35 is sharper and I've not re...